I had my third senior thesis meeting this month. It was pretty helpful–my committee pointed out weak areas in my compositions that I’ll work on fixing during my spring break. I also showed them my unfinished collage of my brother. It was actually their favorite because they were able to understand the type of process I go through with my work. However, I’m not interested in pursuing that type of work–I want to create complete collages that have a narrative element. I think that after I complete my senior thesis, I will begin a new series of incomplete collages, with both drawn and collaged elements.
So far, I’ve worked on reworking areas of Scott’s collage–I got rid of the doorway in the background and went back to the blank wall. I’m also working on getting rid of the abstract and flat areas of the piece. I’ll post that collage once I finish it.
Here’s the collage of my brother that I took to the meeting. I’ve been working a little more on the background and his shirt since then.
Here’s the completed collage for my senior thesis exhibition. This portrait was inspired by my cousin Scott, who passed away from cancer back when I was in high school. He was thirteen at the time, but now he lives on in our memories and the artwork made by my family (there are a lot of creatives in my family).
I’ve been working a lot on my collage of Scott–the background is taking forever! I’ve realized that the process of making collages is very time consuming. Not only am I busy flipping through magazines, trying to find the right colors, but I’m cutting the pages into tiny pieces to reassemble them to form my own images. It takes a while, but seeing the progress I make is well worth the time put in. Here’s the collage of Scott and the more developed collage of Ali.
I need to work on his nose more and the background and his shirt still need a lot more work. Also, his hair needs to be reworked so that he has a more rounded head and not a rectangular looking one.
I’ve been trying to work on my senior thesis a bit by creating a few pieces for my next committee meeting. These pieces probably won’t make it to the actual show–I’m pretty sure they’ll be butchered at my next meeting. Nevertheless, I’ll continue onward.
Anyway, for my show, I’ve decided to do collages, with portraits as the subject matter. During my winter break, I took advantage of the free time I had and got started on a sample piece to show my committee. This piece below is how far I got along with the portrait of my mother. It isn’t finished because it needs more shadowing on her face and better work with the wall in the background. I’m not satisfied with the composition either–I’ll probably have to take new pictures of my mother the next time I see her so I can make a better portrait of her.
Today, I worked on a sketch for one of my future collages, of my cousin Ali. I like this composition a lot better and I hope to get started on it later this week.
And that’s everything for now. I’ll probably work on a few more sketches tonight of other portraits I plan on collaging.
This past week was exciting for me because I received an email the other day about an exhibition that will be up in March. I had completely forgotten that when I was interning at the National Portrait Gallery this past summer, I applied to a juried exhibition that’s only open to Smithsonian employees–thus I had to apply while I was an intern. This week was when they were notifying artists whose work was chosen for the show.
I didn’t expect that my work was going to be accepted, and now I’m really excited. The exhibition will be at the Smithsonian Ripley Center which is on the mall in Washington, D.C.
So if you’re in Washington, D.C., you should check out the exhibition. It will be up from March 20th-May 18th 2008.
I was interviewed by a girl from my school’s newspaper on an article about the student juried exhibition. It was published last Wednesday and you can read it here.
The exhibition is going to be taken down the Wednesday after Thanksgiving. It’s crazy how quickly this month is going by. Just a couple more weeks and I’ll only have one more semester of undergraduate school left.
This first picture is the piece that won the juror’s choice at the student juried exhibition. It was actually my least favorite of the three I entered–the other two are below. But I guess that just goes to show that what one person likes another person doesn’t like.
This semester is a rough one for me art-wise. It’s hard to get inspired these days when I have so little time to focus on my artwork. Nevertheless, I’m honored that I won an award for a piece I did this semester when I didn’t have as much time as I’d wish I’d have to work on each piece. The fridge piece is probably my favorite I’ve done this semester because I had more time and energy to put into it. The first painting down below is actually something I made towards the end of last semester.
I suppose all I really can do at this point is focus on my English work and unfortunately, my art will come second. But next semester I’ll have plenty of time to devote to my art making, which is good, considering that’s when my senior show will be.
Here’s the juror’s statement from the “Artists Leading Elon” exhibition (it’s posted on the door to the exhibition as well):
With extensive experience on both sides of the jury process, I have come to the conclusion that, despite any juror’s best efforts to remain impartial, selection of work is subject to the taste and biases of the juror. If a juror attends graduate school at a certain time or particular place, for example, they might have learned to value abstract art over figurative work, or think that “painting is dead”. As an entrant, you might find yourself in the unfortunate situation of entering work that reminds the juror of their ex-wife, or the background in your work is the color of the pea soup the juror was force-fed as a child. My point is this: do not be discouraged if your work was not chosen, as it is not a refection of the empirical value of your work.
My biases are as follows:
As this is a fine arts exhibition, I tended to avoid anything that looked too much like advertising… we all see too much of that, and unless you are using the language for a subversive purpose, I see no reason to make more of those images. There were some very eccentric choices, as I have a soft spot for kitsch, whether deliberately ironic or unintended. I was also drawn to work where you could feel the raw emotion, or the love, behind the making.
Some pieces were chosen because they looked like one thing, but became something else upon further inspection. Some were beautifully executed, which allowed them to transcend the ordinary subject matter that they depicted. The very best pieces that I saw here had a personal voice. The unique language of these works drew me in to look at everyday things in a new way, to experience human vulnerability, or revel in pure visual delight.
My thanks to the students for sharing your work with me, and for “putting it out there” to be chosen by others (never an easy thing).