I’ve always been a bit of a dog person. I grew up with a dog, and I always appreciate getting to visit my friends who own dogs. This is a piece inspired by one of those furry friends.
If you look closely at the Golden Retriever’s fur, you’ll notice that it looks like the texture of hair. That’s because I cut out fragments of images of blonde hair from models in the magazines I paged through, in order to construct this piece. The background is composed of fragments of landscape scenes, and the nose is made up of a few interesting textures I found.
Overall, I enjoyed making another collage of a grinning dog. Golden Retrievers are such fun dogs, and I’m especially a fan of adorable Golden Retriever puppies.
I’ve been making art for as long as I can remember. I guess you could say that first I learned to walk, then I learned to draw. When I was in preschool, I spent an unusual amount of time in front of an easel. During grade school, I took after school pottery classes and other artsy classes, like bookbinding and drawing comics. In college, I continued to make art in my free time until I decided to major in it. And now, I can’t go a week without working on something.
But why collage? I’ve been making collages since high school, and over the years my style and technique have shifted. There’s just something about collage that makes me come back to it year after year.
With collage, I like how I’m constantly surprised with what I’m making. I especially like the medium because I’m working with found materials. And since I’m not mixing my own colors, and I’m relying entirely on what colors I can find in other images, I’m never quite sure how a piece will turn out. It’s always a surprise.
There’s also something therapeutic with the repetitive motions involved with constructing a collage – paging through magazines, cutting and pasting paper. I’m drawn to how these motions help me relax and escape from the stresses of life. And for a moment, I can stare at something other than a computer screen.
Back when I was first learning how to paint, I was taught to look at objects as being constructed of different shapes. With collage, I can actually cut out those shapes. Thus it makes it easier for my process as an artist, when it comes to visualizing my compositions .
Lastly, I am constantly amazed by artwork that challenges the limitations of different mediums. I love art that looks like it was made from one medium, when it was actually made by something entirely different. That’s why with my artwork, I like to manipulate paper in such a way that it mimics the brush strokes in a painting.
Collage is a medium that I’ve worked in for years. I’m drawn to how it surprises me, and how flexible it is – I can easily layer paper and pull up previous layers. And when it comes down to it, collage brings me joy, and I’m trying to do more things that bring me joy these days.
I was recently in a bit of a creative rut. I was feeling uninspired and noticed that my attitude about my work was getting increasingly negative. I had developed this “what’s the point in making artwork anymore?” mindset, which was clearly toxic and needed to be fixed.
I started making some changes in my life, and found that several of them were pretty helpful. So if you find yourself in somewhat of a creative rut, here are a few things to keep in mind that can help you get out if it:
10. Take a vacation
If you have a day job and you’re working on your artwork on the side, or if you’re a full-time art entrepreneur, you might find yourself having trouble figuring out when to actually stop working. The danger of having a “never stop working” attitude is that you run the risk of burning yourself out. So if you’re finding yourself uninspired, and feel like your creative passion is beginning to fade, take a vacation. Your body is telling you that you need a break.
9. Give yourself pep talks
I realized I was being too hard on myself, and I needed to start talking to myself the way I talk to my friends or family members when they’re going through a hard time. Instead of dismissing my work as “terrible,” I started editing my thoughts so they’d be more like, “this might not be where you want it yet, but it will get there.”
8. Take better care of yourself
Taking a step back from your work and focusing on yourself can really help. Make sure you get enough sleep, eat, and exercise. If you’re worn thin physically, it’s difficult to work hard on your craft.
7. Go to a museum
Simply setting aside your work for a while, and going to an art museum or gallery to admire the work of others, can help you get inspired. It can also give you another perspective by showing you what else is out there, and how your work fits in. Or how you can do things differently now that you have learned about a new artist or body of work.
6. Spend more time with friends or family
Spending time away from your artwork and around others can help you get motivated again. Conversations can jumpstart new ideas.
5. Go to a concert or play
Seeing the work of other creative artists can help you get passionate about your work again.
4. Do something for someone else
Doing something for someone else can help you get out of your head, and you can start focusing on something new for a while. It can also help inspire future works of art.
3. Organize your life
When your “to do” list is growing out of control, it’s difficult of feel in control of your life, and it’s easier to fall even deeper into a creative rut. Getting organized can make tasks related to your artwork more manageable. I’ve also found that mapping out what I plan to do for the week on my calendar, really helps breakdown my workload into manageable chunks. Plus, if I don’t have enough time to get to one item, I can easily reassign it to a new day. So instead of taming an incredibly long “to do” list, I’m working on a couple of tasks every day.
2. Set goals
First, I think it’s helpful to list out what you’ve already accomplished. It’s useful to keep a running list, so if you’re ever feeling negative about your work, you can pull out the list to remind yourself of what you’ve achieved thus far. Then I think it’s helpful to work on setting new, manageable goals, to continue to move you along with your artistic career.
1. Change something
It’s easy to become a creature of habit and fall into the same routine day in and day out. But if you’re in a rut, changing things up a bit can really help. It can be something as small as taking a different route to the grocery store, or experimenting with a new medium with your artwork. Change can take you out of your comfort zone and help move you forward.
Have you tried something else that’s helped you get out of a creative rut? Feel free to share what worked for you in the comments!
With this piece, I decided to focus more on using texture. There are a few areas where I used solid color, although for the most part, I wanted to see how I could layer several different textures together. For the snail’s shell, I wanted to outline the shape with solid color so that the shell could stand out more.
This is my first time tackling a snail collage. I think it might be fun to rework this subject with arbitrary color – actually it might be good to play around with colors for a new series. Lately I’ve been making collages that use more realistic colors, so we shall see what I’m able to come up with next.
Before I was immersed in studying painting in college, I made quite a few acrylic paintings in high school. This piece was part of a series I made where I played around with using color to convey different moods. As you can see here, I used cool colors to convey a somber tone. I also painted the background a dark color that I lightened up a bit by painting a thin layer of white paint over it.
Bosty decided to take a break from the Washington, DC area, and headed up to Hamilton, New Jersey to check out Seward Johnson’s Grounds for Scuplture. He spent the entire afternoon wandering around the sculpture park and museum.
Some of the sculptures were fairly abstract, like William Wiley’s “To Marcel Duchamp, 1887-1968, Artist, Tool and Die Maker.”
There were several sculptures that were recreations of famous works of art and people by Seward Johnson. Bosty was fascinated by Johnson’s attention to detail.
Bosty liked Gunnar Theel’s “Nature’s Laugh,” which somehow managed to tie a sculpture to nature. Theel’s sculpture was almost like a large flower pot, with plants growing out of it.
After wandering around for a little while, Bosty took a break to admire his beautiful surroundings. He loved the lily pads the covered the ponds in the garden.
He was amused by Seward Johnson’s sculptures of people doing common, ordinary activities, like this fisherman.
He really liked the life-sized recreation of Edvard Munch’s “The Scream.”
And he decided to pose next to Seward Johnson’s sculptures of sightseers to make it look like they might be searching for Bosty…
Brower Hatcher’s sculptures really caught his eye, with the intricate and interesting way that the sculptor used stainless steel, glass, and iron.
Joan Danziger’s “October Gathering” had a whimsical and fun look.
And in between wandering around sculptures, Bosty decided to take a break by resting on a bench with a couple more of Seward Johnson’s sculptures.
He noticed a sculpture that he had also seen in Washington, DC, George Segal’s “Depression Bread Line.”
Some of the sculptors used a lot of movement in their work, like Clifford Ward’s “Jubilant Dancer.”
Bosty enjoyed all the sculptures that depicted different animals, like Karen Peterson’s “Beast.”
He was also a fan of simplistic shapes, like the use of line in Roy Wilson’s “Resting Place.”
One of Bosty’s favorite pieces was Benbow Bullock’s “Pillars of Hercules.” He liked how colorful Bullock’s work was, and his use of geometric shapes.
Bosty ended his day by visiting Autin Wright’s “The Sleep.” Bosty was exhausted after a day of wandering the sculpture garden grounds. He had a lot of fun, and enjoyed posing next to so many exciting and interesting sculptures.
I made this oil pastel self portrait drawing during my sophomore year of college. At that time, I was taking quite a few studio art classes. It’s also around the time I decided that I was going to pick up art as a double major, instead of just minoring in it.
I really enjoyed working on the face and eyes for this piece, although the hand was a bit of a struggle. I thought it was fitting to share a piece from my past, to illustrate how much your work can change and develop over time. Your work won’t always be “perfect” or turn out the way you’d like it to, but each new work of art you make will help you grow a little more as an artist.
Since Bosty lives in the Washington, DC area, he decided to stop by the Hirsshorn Museum and Sculpture Garden to check out the latest art exhibit. On his way over to the building, he stopped by the sculpture garden and decided to add a wish to Yoko Ono’s “Wish Tree for Washington, DC.” Visitors can write wishes on tags and tie them to the tree – how fun!
He really liked Yayoi Kusama’s pumpkin sculpture, just look at those colors and dots!
Some of the sculptures were very visually impressive – like this “Needle Tower” by Kenneth Snelson, that seems to repeat itself infinitely.
Bosty was excited to see that the new exhibit was the work of the contemporary artist, Ai Weiwei.
He was also pretty amused by the sign with Ron Mueck’s sculpture of a man.
Bosty was mesmerized by Barbara Kruger’s “Belief+Doubt” piece. He liked her bold use of typography.
And Linn Meyer’s intricate “Our View From Here” wall drawing was incredible in-person. Bosty was definitely feeling inspired!
Finally Bosty made his way to Ai Weiwei’s exhibit. He thought Weiwei’s complex designs were intriguing.
And his favorite part were the lego portraits on the ground. He could only imagine how long they took to piece them together!
After seeing the special exhibit, Bosty wanted to admire some of the contemporary paintings, like Willem de Kooning’s work.
Jean-Paul Riopelle’s use of texture was incredible. And after a day of admiring beautiful works of art at the modern art museum, Bosty was practically ready to start making his own masterpiece. There’s nothing better than getting to see the work of great artists!
Birds are always a fun subject to tackle since there are so many different species out there. This particular collage is my first attempt at tackling a mandarin duck in collage form. I love how colorful these ducks are, and I definitely enjoyed piecing this together from so many pieces of bright magazine pages.
If you’ve been following my work lately, you’ve probably noticed that I’ve shared quite a few animal collages. I’m thinking I should probably change gears in a bit and try to tackle portraits or still life sometime soon. We shall see though…animals are always a favorite subject for me, although it is good to break out of your comfort zone every once in a while.
I made this charcoal drawing during my sophomore year of college. At the time, I was taking quite a few studio art classes, and often stayed at the studio pretty late working on artwork. Still life has always been a subject matter I’ve struggled with, simply because I haven’t found it to be all that exciting (I was more interested in figurative artwork or animal portraits). I thought this particular still life was a little unusual since it involved an animal skull, instead of the usual bowl of fruit or empty kitchenware. I also enjoyed working with charcoal since it can get pretty messy, which keeps things interesting.